Smith And Mighty Bass Is Maternal Rar

Maternal

Sub-bass rumble. Kick drum boom. Tubby`s Hi-Fi`s dread vacuum, pumping, with flying cymbals replaced by fragmented breakbeats. Big piano chords, similarly smashed and fractured. Controlled explosions replayed in slow motion. If there were a precedent for Smith & Mighty`s Dub dynamic, then it might be the Science Fiction steppers of Creation Rebel`s Starship Africa. Grounation Nyabinghi set to an 808. Accompanied by plaintive “Gymnopedies” keys. Satie at the soundclash. If there were a Smith & Mighty trademark then it would be tough beats married to introspective melodies. Lovers Rock, meets Rare Groove, meets the New York streets of Vintertainment Records. Rinsing the melancholy from Dionne Warwick, and Rose Royce. The teardrops from Bacharach & David. Reinterpreting classic songs of heartbreak for orbital ravers. An inner city sadness that still resonates in the productions of fellow Bristolians, Massive Attack. Ain`t it blue and funky now.

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Smith & Mighty - Bass is Maternal In the late nineties my heart and ears were firmly in Bristol - Roni Size, Massive Attack, Portishead - it was all happening - the birth of trip hop and drum and bass from Hip Hop and Jungle - what happens when the suburban meets the urban, black meets white (and every color in between). Discover releases, reviews, credits, songs, and more about Smith & Mighty - Bass Is Maternal at Discogs. Complete your Smith & Mighty collection. Bass Is Maternal Vinyl LP (12' album, 33 rpm), Import Smith & Mighty Format: Vinyl. 4.5 out of 5 stars 5 ratings. This is Smith & Mighty's debut album, originally released in 1995. Apparently it has been re-released as of June 2000. I'm really not sure why they bothered. Check out Smith & Mighty on Beatport. Check out Smith & Mighty on Beatport. Afro House; Bass House; Big Room; Breaks; DJ Tools; Dance / Electro Pop; Deep House; Drum & Bass. Bass Is Maternal Original Mix Smith & Mighty K7 Records. Closer Original Mix Smith & Mighty K7 Records. Same Smith 2019 Mix Smith & Mighty.

Contemporaries of The Wild Bunch and Soul II Soul, they draw on the heritage of Soundsystem culture. Mixing Reggae with Hip Hop and Soul. Making music that “inspired”** Paul Oakenfold`s post-Second-Summer-Of-Love Movement 98. The sound of E, once the initial rush had passed. Selectors stretching to incorporate Acid House. Then Bleep. Then Hardcore. Producing the map for Drum & Bass, Dubstep, and Grime – any modern bass-driven music you can think of – in the process.

A distinctly UK, JA-influenced, Techno, of sampled divas, and diced and looped B-boy breaks. Sped-up, stripped-back, warrior charges blasting brass fanfares. Psychedelic chuggers, arpeggiated, and gated. Racing “Amen” snares tap, tap, tapping at Ambient washes.

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Ashley Road Sessions 88-94, is Pinch and Peverelist let loose in Smith & Mighty`s archives. Collecting eleven previously unreleased tracks for a joint release on Tectonic / Punch Drunk.

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Movement 98 (**this is a remake of an old Smith & Mighty / Mark Stewart tune)